"F the 1%"  

(is a drama about a progressive environmentalist battling a corporate titan and political forces while contending with a rescue mission of kidnapped elites to clear her name)

This is  a tug-of-war between idealists and the ruling elite in America. When Carol 

starts a green fertilizer company, a successful cooperative commune, she quickly 

clashes with corporate giants, politicians, and other systemic oppressors of 

the top 1% of society.

Through legal and progressive means, Carol mounts a campaign of survival. 

Meanwhile, Griz, a guerilla revolutionary abducts some one percenters to solve 

inequality in a more violent bargain while implicating Carol in the process.

The twists and turns in this fast-paced socio-political actioner narrate how Carol 

matches wits with opposing forces.

Feels like "Erin Brockovich" meets "Argo".

"Piranhas"
(a drama that brings the Me Too movement to a college campus, 118 pages)

Cassandra, a college freshman at a Division 1 college, takes on the 

Sports Industrial Complex, her college Dean, the media, and naysayers 

when she accuses the star Quarterback of rape. In the ensuing rape 

trial, no one gets out unscathed as the multifaceted discoveries unravel 

the truth and disrupt everyone's lives.

Feels like the "Accused" meets "A Few Good Men"

"Burning Library"

(A Political thriller based on true events, 115-page feature)

An escaped female Tamil Tiger hides out in an amnesty clinic, towards the end of the Sri Lankan Civil War, where she changes the lives of a crippled journalist, an authoritarian nurse, and an orphaned boy while experiencing battles, betrayal, retribution, love, redemption, and absolution.

Feels like “Little Drummer Girl” meets “Kill Bill”.

"Square Wheels" 

(A Socio-Political Neo-Noir thriller, 104-page feature)

A random hit-and-run. A dead Asian mulatta. No suspects. Until, Ray, a black limo driver starts asking questions, taking numbers. No one's safe now, not the addicted ex, the bookie, the henchmen, the P.I., the barkeep, the politician, but least of all, not Ray. But aided by poetry, cynicism, and friends in low places, Ray soldiers on towards the hidden truth. 

Feels like “Chinatown” meets “Beverly Hills Cop”.

"Blaze of Embers" 

(A character-driven family drama, 100-page feature)

After a car accident cripples her husband and disfigures her step-daughter, Connie is left with guilt and remorse. While the family becomes stalemated after the accident, a stranger enters their life as a hired help and turns their lives inside out. The climax is as unexpected as it is liberating when everyone gets their due justice without any easy solutions in this character-based drama. 

Feels like “Long Hot Summer” meets “Shawshank Redemption”.

"Shepherd of Mules" aka "Na(r)co, AZ" 

(A character-driven morality tale played out between Arizona DEA and Cartels and Human traffickers, 105-page feature) 

Shaw Moon, Native Indian Casino owner, traffics illegals as mules and paves their way into Arizona. Moon also feeds off the crossfire between rivaling cartels. Meanwhile, a Mexican cop after Moon, joins forces with the Arizona DEA. After initial setbacks the DEA plant a street kid as mole in Moon’s casino. Lines between good/bad, right/wrong, get blurred. The chess match between Moon and the Law pulsates on every contentious social, cultural, and political hot button.

Feels like “Donny Brasco” meets “Traffic”.

"Threat Level Red" 

(A daughter and step-father must overcome their differences to catch a serial killer, 104-page feature)

When a hospital goes into Quarantine mode after a murder in the biological weapons lab, teenager Maya is stranded inside while her cop step-dad, Bruce is stuck outside. With the hospital in Major Tex and his unit’s control, more murders occur; Maya’s coma patient mom goes missing. While the Major targets terrorists, Maya and Bruce conduct their own investigation. Maya makes friends, finds her mom, falls in love, and nails the killer through the quarantine period.

Feels like “Scream” meets “Disturbia”.